The Serie Gioviana at Uffizi
The Serie Gioviana at Uffizi is a collection of portraits of illustrious men and women: popes, kings, emperors, sultans, cardinals, noblemen and saints. There are also ecclesiastics, scientists and literary men, artists and leaders of mercenaries. If you say Uffizi Gallery, your mind goes to the Venus by Botticelli, the Maestà by Giotto or the Tondo Doni by Michelangelo. Maybe, you don’t even notice the series of small portraits on display in the three corridors of the museum. There is Pope Alexander VI, Saladin, Leon Battista Alberti, Vittoria Colonna, the Medici’s, Anne Boleyn, the Conqueror Tamerlane of Samarkand, and many more. Book your Uffizi Private Tour with us and you will get to know more about this interesting portraits’ collection!
The Serie Gioviana at Uffizi: 488 portraits
The collection was begun in 1552 on the will of the Gran duke Cosimo I de’ Medici, who sent the court painter
Facebook of the Renaissance…
Exposing the portraits of illustrious men in the centre of the Medici government was a way to express their power and the net of social relationships the Medici family could boast. The Serie Gioviana was a sort of social network of the Renaissance, the real facebook ahead of time, a painted book of faces of contemporary persons or famous characters lived in far-off times. The Medici’s community was made up of celebrities, such as dukes, counts, kings, popes and emperors, reach and important persons. So they could confirm their statu quo. The Uffizi Gallery was born to be the seat of the Medici’s government, since they were actually the offices of the Gran Dukes. Thus, it was quite common that noblemen, ambassadors and politicians visited the Grand Ducal centre. The Serie Gioviana was a way for the Medici to show off their political power. We don’t have to forget that the Medici dinasty didn’t have any noble origin, on the contrary they cam
The Serie Gioviana was their social network, they had 488 friends and there even was in every portrait the name tag, because Cristofano dell’Altissimo reported on every single painting the name of the depicted subject.
Who knows if Mark Zuckerberg had never been to the Uffizi Gallery before inventing Facebook…!